spins ever-faster in the cadence of a hand-cranked music box
The noisy whir and clicking of the various tape mechanisms is evident on many of the found recordings
Avoiding irritating instrumental exhibitionism
In "Diamorphoses" this antithesis was illustrated sections of sound strongly opposed to others
"A-TON is proud to announce Panama/Suez
Éliane Radigue – Vice Versa, Etc.... [2CD] Electronic / Experimental spins ever-faster in the cadence"1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful sound