The let us regard as the Aider of Art . . . (Charles R. Capon) fontfolders There was not enough paper

There was not enough paper to keep track of all the names

the identification of blackletter with failed Nazi ideology was inescapable

it attempts to establish the foundations for Arabic type design by drawing lessons from past practices and aesthetic conventions

here he covers the macro

It is a fascinating study and a model of book design (aside from the fact that it’s huge and weights a good 15 pounds in its clamshell box)

The let us regard as the Aider of Art . . . (Charles R. Capon) fontfolders There was not enough paperWhen one works on books about slabs, stencils, shadows, and scripts, one needs a lot of examples around. Like, when Louise Fili was working on Scripts, she picked up this item from the Printing Exposition and Craftsmen Number of The American Printer. Its pretty as a pictureand it was illustrated and lettered by Charles R. Capon. We first learned of him when we got this beautiful map he made. And were sitting next to a book about his bookplates that