Guan Wei 'Come On!' nudes ‘Blue Vase’ exemplifies Blackman’s most

‘Blue Vase’ exemplifies Blackman’s most iconic period of image-making from the late 1950s and early 1960s

it is a dance of juxtapositions - childhood and maternity

Gerald Hughes’s ‘Untitled (Lobster Claw)’ is a still life by the seashore

and through representation in major public collections

The subject of ‘Joe Byrne (Kelly Gang)’ is Joe Bryne

Guan Wei 'Come On!' nudes ‘Blue Vase’ exemplifies Blackman’s mostA leading contemporary artist, Guan Wei splits his time between Sydney and Beijing. He works across printmaking, painting, sculpture and site specific installations, forging a unique visual language that crosses the personal and political, meditating on identity, immigration, exile, climate change and history. Come On!, an original lithograph, is a delightfully jocular work. Two nude figures are caught mid fight and mid flight, fleshy combatants