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According to his eldest son Auguste
There are no tears to paper margin or disruption to material
He mournfully plays puppet master to black and white masks
before turning to visual art
titled and editioned on bottom edge
Christopher Rimmer 'The End of God, South Australia' Paper Size:Small - Open Edition (30 x 42cm) According to his eldest sonIn his series, Remnant, photographer Christopher Rimmer descends into the Australian outback. Set against the backdrop of covid, the resulting photographs are portraits of isolation, the Australian sublime and spent ambition abandoned service stations, unfinished railways lines and rusted debris. The poetically titled The End of God, South Australia is a portrait of a crumbling church. As bleached as the parched desert, this church lies abandoned a
