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The New Yorker
4 pages with 2 flaps
Charlottesville
First edition of 800 books
the final photobook We
René Groebli - COLOR WORK The New YorkerAfter his wonderful poetic and capturing black and white photography, color became for Ren Groebli the actual major topic, the challenge that had to be faced and overcome technically and aesthetically, but also mentally starting in the mid 50's. In the end to see color is somehow different from seeing black and white. A photographer cannot just switch from black and white to color: These are two quite different modes of thinking and strategies,
