The first volume of Alissa Bennett’s new zine
these images of stellar fields torn from their context of production and use resemble as much a photogram of dust clusters as a magnification of the photolytic structure of the silver grains constituting the image
conceived as part of the Cultural Program of the 1968 Mexico City Olympics
— France-Lise McGurn Published on the occasion of the exhibition ‘Matching Mother/Daughter Tattoos’ by France-Lise McGurn and Rita McGurn at Margot Samel
providing an immersive entry point into Noujaïm’s cinematic world
CEROLI TOTALE delete The first volume of AlissaAmong the most original contemporary sculptors and a prominent figure on the international art scene, Mario Ceroli (Italy, Castel Frentano, 1938) draws on matter, manual skill, and the idea of theatricality as a representation of life. While not being a general catalogue, this monograph provides the first overview of his work from 1955 to 2025. Cesare Biasini Selvaggis historical critical analysis spans seventy years of research, from the ground zero