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Dieter Hall A Naked Chair delete The Whitney Review has proven

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The Whitney Review has proven a taste-making force in literary criticism

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Dieter Hall A Naked Chair delete The Whitney Review has provenDieter Hall portrays man thrown back on himself. Ecce Homo, behold the manwithout his social attributes, often nude, in splendid isolation. Hall seeks the common denominatormetonymically called the Naked Chairof mere existence in the images of others (mostly male) bodies. He regards things, objects, gardens and landscapes with the same searching gaze. His minutely arranged still lifesa glass, a flower, a chair call to mind Bonnard and Matisse. Halls

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