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His botanical eye was as rigorous as his wildlife eye — he understood how flowers hold light differently from fur or feather
the blue hill in the background — it is a view from any number of back roads in Simcoe or Grey County
the mask already distinct
This is one of Glen's most personal paintings — the subject is not wilderness but the familiar
Produced as a museum-quality giclée on archival
Red Fox and Kits — Framed Piece Print Size:11.5" x 14" His botanical eye was asA vixen with two kits in an autumn woodland the mother resting, the two young foxes alert and watchful beside her, maple leaves scattered around them. This is a coloured pencil composition of unusual warmth: the autumn palette of the forest orange and gold leaves, warm brown earth rhymes with the foxes' own colouring, making the family feel completely embedded in their habitat. Glen's fox family compositions are among his most beloved the combination
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