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The texture of the paper works through every stroke of the cub's spotted coat
Glen was as fascinated by fish as by birds and mammals
The pheasant's plumage is one of the most technically demanding subjects in bird art — the interplay of green
and green on the body feathers requires careful control of wet-on-wet technique
A Canada Lynx turns mid-stride in deep snow
Wind Blown Leaves — Gallery Canvas Canvas Finish:Matte The texture of the paperAutumn leaves caught in the wind the composition built entirely from leaves at different stages of fall and flight, some still holding their autumn colour, some bleached by earlier frosts, all in motion or suggesting motion. This is Glen working in pure abstraction of natural form: no animal, no ground, no sky just the leaves themselves as a compositional subject. The painting demonstrates Glen's commitment to the full range of natural subjects the
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