Autumn Magic — Framed Piece Frame:White painted when Glen could observe

painted when Glen could observe the cardinals that frequented the trees near his Ontario studio

not from fighting against it

the golden flanks: all of it is there in Glen's watercolour

the way the brown plumage catches and absorbs light differently from a smaller hawk

The coloured pencil medium builds the blue-white of winter snow with a softness that suits the subject's quietude

Autumn Magic — Framed Piece Frame:White painted when Glen could observeA still beaver pond opens onto a horizon of wine coloured hills, framed by maples burning red and yellow against a slate sky. This piece sits a little apart in Glen's catalogue looser, more painterly, executed in coloured pencil rather than watercolour, the texture of the paper showing through every stroke. It is the kind of scene any Canadian who has paddled north in late September knows by heart. Glen worked from his own field sketches and