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L’industrie
and coloniality
Nobody photographs skin like Donna Trope
THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in
The publication enhances the pioneering artist’s largest survey exhibition in Asia to date
Nothing on The Left Has stock in Germany L’industrieStien Bekaerts Nothing on the left is a carefully composed formal play with fragmentary photographs from found footage to self made images. Most of these photos would normally be doomed to disappear between the folds of time, if Stien Bekaert did not take care of them, and granted them a new life. Captivated by handicraft, Bekaert experiments with various printing techniques. She makes etchings, lithographs and monotypes, as well as riso, offset and
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