1973
Keiichi Tahara
(田原桂一) SIgned:Unsigned ISBN 978-4-908512-11-7

ISBN 978-4-908512-11-7

光を留めるもっとも優れた手段がフイルムであり、光を表現できる媒体が印画紙だった。夜も昼もカメラを携えてパリを、そしてロンドンを歩き回った。後年、東京での個展の際の紹介文にデザイナーの倉俣史郎氏が田原桂一は2度シャッターを切っている。1度目はカメラで、そして2度目は暗室でプリントを焼く時にと。

2015) back of the back cover of cover A

62 Images(b/w)

3 x h28 cm

1973<br />Keiichi Tahara<br />(田原桂一) SIgned:Unsigned ISBN 978-4-908512-11-7Everything I perceived, saw and felt was utterly new. There was a quivering field of light, completely different from what I had become accustomed to in Japan. It was the July of 1971 when I finally settled down after the initial excitement of having arrived in Paris. I had regained the calmness to observe. The sky was a shade of teal, something connected to the pitch black of outer space. Arrows of light pierced the dry air, approaching stone